Friday, October 24, 2014
Why Diversity Matters to Me
Why does Diversity matter to you? Oh, my bad. We should probably agree on what the term 'diversity' means first. The dictionary defines diversity as The state or fact being; diverse; different; unlikeness..., Uh yeah sure. You know what? I'm going go with my boy Buggin' Out from Do The Right Thing who immortalized the definition of diversity with one question: How come ya ain't got no brothas up on the wall?
That's it. That's diversity. Now let us move forward. So again why does diversity matter to you? Tough question? OK, I'll start... Diversity matters to me because I'm inundated with images of other in TV and Film. Diversity matters to me because because my image, my story, my American Experience is important. It deserves to be heard, to be seen. Diversity matters to me because my peers know nothing about me outside the office. Oh they know the caricatures because that is all they have been exposed to but they do not know me. Which is sad because I know them, and have known them all my life. I'm familiar with their favorite movies, books, music. Not to say they are a monolithic group but I'm even familiar with the diversity within their universe. But when I bring up my favorite movies, books, music they're surprised. They have never heard of the movie Cooley High or Paul Beatty's brilliant Tuff, and since Talib Kweil get's no radio play he is not even in their orbit.
Me? I'm not so surprised by this. But more important than anything Diversity matters to me because of my daughters. They are intelligent, beautiful, athletic, funny, and... black. When was the last movie that represented that? I'll help you... Love And Basketball. And I'm mad. I'm mad because I can't count the number of movies I've seen before I got to experience it.
That locker scene in Love and Basketball when the young ladies are talking about their futures, their love for basketball, their dreams, had never ever been seen on film. Ever. A group of woman having an honest discussion about their limited future prospects and it had nothing to do with men! That is one of my favorite scenes of all time. It is in a word poignant. And the world had to wait for Gina Bythewood to bring it to life. And you know what? Mrs. Bythewood latest film Beyond The Lights promises more of the same. That is to tell a story from a diverse perspective that can resonant with the public at large but have a special relationship with, as the dictionary would say a, different segment of the population. And I will be in line on opening night because Diversity matters to me. But you never answered the question; Why does diversity matter to you?
Wednesday, October 1, 2014
Black Speculative Fiction Month
In case you didn't know it's Black Speculative Fiction Month (#BSFM)! Yay! And if you want to find out more about Black Speculative Fiction check out our friends at Twin Ninja Book Reviews or Milton Davis over at the State of Black Science Fiction And Milton is always looking for book releases, interviews, conventions, etc. so hit him up on facebook if you have ideas, suggestions, inquiries
are into Black Speculative Fiction or want an example of Black Speculative Fiction you need to peep this joint now. And don't worry about paying for it because it's free. The comic is set in a not too distant future where everything that is wrong today has gotten dramatically worse. And it's not so much a post apocalyptic dystopian piece as a suburban horror story with climate change instead of vampires, and economic downturn instead of werewolves, and years of bio terror instead of ghost. But the coolest part? If you are desperate, driven, or crazy you can buy super-powers on the black market. But be careful because their is a 50-50 chance that the process to procure these powers can kill you! Greg's and Nick's links are below along with the link to the web comic. Check it out and let me know your thoughts.
Softer Apocalypse: Link
Nick's Links:
Website: www.turtledustmedia.com
Facebook: www.facebook.com/ turtledustmedia
Download a copy of Nick's head trip here: https://dl. dropboxusercontent.com/u/ 6606138/nickButlerHeadTrip.pdf
Greg's Links
Website: http://www.gregstolze.com/
Twitter: https://twitter.com/GregStolze
Greg's Links
Website: http://www.gregstolze.com/
Twitter: https://twitter.com/GregStolze
Wednesday, September 24, 2014
I'm Sick and Tired
I don't know what else to say so I'm going to quote famed Civil Rights Activist Fannie Lou Hamer, who coined the phrase "I'm sick and tired of being sick and tired." The ignorance and insensitivity towards minorities and their respective cultures is a jarring example that there is still much work to do to realize the promise that is America. This great country has always been more of a mosaic than a melting pot. A beautiful
mosaic that boast the pride of different ethnicity’s and cultures
working in concert for that dream impassioned in Martin Luther's King speech. But also a mosaic that pigeon holes, undermines,
and erects barriers to some of the most colorful components
of that mosaic. I'm not going to touch on Ferguson or Michael Brown because I don't think I can say anything as heartfelt or intelligent as Grey's Anatomy actor Jesse Williams Instead let me focus on the Entertainment Industry, and more specifically the Exodus movie, The Washington Redskins team name, and the New York Times article about Shonda Rhimes.
The derivation of the term Redskin is muddled. But no matter the origin, today
the name is at best culturally insensitive and at worst blatantly racist. But billionaire and team owner Daniel Snyder says it is a term of honor and respect. Interesting choice of words but for the sake of this post let us traffic in facts. The dictionary defines Redskin as slang: Often disparaging and offensive. There is nothing honorable about that. But the Redskins name controversy is more about self-identity and power than anything else. Native Americans deserve the right to control their image, their identity, and how they choose to be represented. We cannot tell them what they should or should not find offensive or racist. We have to cede that power and allow that if they themselves find a term racist or offensive then no matter our personal beliefs that term becomes by definition racist and offensive. Unless of course you are a billionaire and team owner.
Ridley Scott has come under fire for his peculiar casting choices in the upcoming movie Exodus. The issue is that white actors are playing all the lead roles while
actors of a darker hue have been relegated to playing slaves. What makes these casting choices controversial is that the movie takes place in Egypt which of course is in Africa. If it were in Canada this might be a non-issue. But how do these "oversights" keep happening? How does casting whites as kings and blacks as slaves not raise any alarms? I mean it's 2014! And what would happen if we tried the inverse? Would it be objectionable for Denzel Washington to play JFK? Or Morgan Freeman to play George Washington? I'm thinking someone in casting might object about the legitimacy of the movie if that happened. The ability of two men of color having the chops to play historic icons and presidents would be beside the point. That film would not get green lighted. Not so for Exodus.
"Angry Black Woman" If you have not read the article about Shonda Rhimes in which Alessandra Stanley referred to the famed director as such you have undoubtedly heard about it. But however popular that view is it is not entirely accurate. I'll paraphrase what Mrs. Stanley attempted to say and provide context so you may have a somewhat better understanding of the gist of the article. And for lack of a better word let's call this journalism. Mrs. Stanley, in a very clumsy, clueless, and in-artful way was attempting to be complimentary of Shonda Rhimes by detailing how she was excelling in doing things her way in an industry dominated by white males. The fact that Mrs. Rhimes will have three shows airing on the most coveted day and two head lined by women of color buttresses Mrs. Stanley's argument. Fair enough. But here's, the thing; Mrs Stanley is a journalist. Words are her medium. She doesn't get to be in-artful, awkward, or clumsy. If I ask my mechanic to write a piece on Shonda Rhimes HE gets to be in-artful. Not so a famed journalist from the Paper of Record. And the most maddening part of the article was the under handed slight she gave to the first lady by juxtaposing Shonda's success with Mrs. Obama's perceived failure. This article was so bad on so many levels one wonders how it made it through the editing process. But Alessandra is no different then most people in power when it comes to dealing with racial issues. That is she is in-artful, clueless and awkward.
Having money is not everything not having it is. That's a Kayne West lyric and a fairly accurate metaphor of the disparate prisms in which whites and minorities view and experience race. Whites are involved in race while minorities are committed, and like the chicken and pig our rolls are decided at birth. Mr. Scott had tea with Christian Bale when he decided to cast him as Moses. Alessandra Stanley swears up and down that her hit piece on Mrs. Rhimes is actually complimentary if we can just get past the first 140 characters. Mr. Synder confidently speaks of Redskins being a term of honor and respect with no hint of sarcasm. The insular and myopic view of these three individuals are the rule not the exception. And their privileged arrogant responses when challenged are representative of the state of race relations in this country and one reason why I am so sick and tired of being sick and tired.
The derivation of the term Redskin is muddled. But no matter the origin, today
the name is at best culturally insensitive and at worst blatantly racist. But billionaire and team owner Daniel Snyder says it is a term of honor and respect. Interesting choice of words but for the sake of this post let us traffic in facts. The dictionary defines Redskin as slang: Often disparaging and offensive. There is nothing honorable about that. But the Redskins name controversy is more about self-identity and power than anything else. Native Americans deserve the right to control their image, their identity, and how they choose to be represented. We cannot tell them what they should or should not find offensive or racist. We have to cede that power and allow that if they themselves find a term racist or offensive then no matter our personal beliefs that term becomes by definition racist and offensive. Unless of course you are a billionaire and team owner.
Ridley Scott has come under fire for his peculiar casting choices in the upcoming movie Exodus. The issue is that white actors are playing all the lead roles while
actors of a darker hue have been relegated to playing slaves. What makes these casting choices controversial is that the movie takes place in Egypt which of course is in Africa. If it were in Canada this might be a non-issue. But how do these "oversights" keep happening? How does casting whites as kings and blacks as slaves not raise any alarms? I mean it's 2014! And what would happen if we tried the inverse? Would it be objectionable for Denzel Washington to play JFK? Or Morgan Freeman to play George Washington? I'm thinking someone in casting might object about the legitimacy of the movie if that happened. The ability of two men of color having the chops to play historic icons and presidents would be beside the point. That film would not get green lighted. Not so for Exodus.
"Angry Black Woman" If you have not read the article about Shonda Rhimes in which Alessandra Stanley referred to the famed director as such you have undoubtedly heard about it. But however popular that view is it is not entirely accurate. I'll paraphrase what Mrs. Stanley attempted to say and provide context so you may have a somewhat better understanding of the gist of the article. And for lack of a better word let's call this journalism. Mrs. Stanley, in a very clumsy, clueless, and in-artful way was attempting to be complimentary of Shonda Rhimes by detailing how she was excelling in doing things her way in an industry dominated by white males. The fact that Mrs. Rhimes will have three shows airing on the most coveted day and two head lined by women of color buttresses Mrs. Stanley's argument. Fair enough. But here's, the thing; Mrs Stanley is a journalist. Words are her medium. She doesn't get to be in-artful, awkward, or clumsy. If I ask my mechanic to write a piece on Shonda Rhimes HE gets to be in-artful. Not so a famed journalist from the Paper of Record. And the most maddening part of the article was the under handed slight she gave to the first lady by juxtaposing Shonda's success with Mrs. Obama's perceived failure. This article was so bad on so many levels one wonders how it made it through the editing process. But Alessandra is no different then most people in power when it comes to dealing with racial issues. That is she is in-artful, clueless and awkward.
Having money is not everything not having it is. That's a Kayne West lyric and a fairly accurate metaphor of the disparate prisms in which whites and minorities view and experience race. Whites are involved in race while minorities are committed, and like the chicken and pig our rolls are decided at birth. Mr. Scott had tea with Christian Bale when he decided to cast him as Moses. Alessandra Stanley swears up and down that her hit piece on Mrs. Rhimes is actually complimentary if we can just get past the first 140 characters. Mr. Synder confidently speaks of Redskins being a term of honor and respect with no hint of sarcasm. The insular and myopic view of these three individuals are the rule not the exception. And their privileged arrogant responses when challenged are representative of the state of race relations in this country and one reason why I am so sick and tired of being sick and tired.
Tuesday, September 2, 2014
Interview with Reggie R. Bythewood Director of Gun Hill
Reggie R. Bythewood has been in the game for a minute. His latest joint, Gun Hill, which aired on BET and can now be seen on Netflix, unleashes the incredible talent of Larenz Tate. Tate is pulling double duty in this well-crafted story that espouses the duality of human nature---a premise popularized by Jykell and Hyde and recently used in the BBC's Orphan Black. But what Tate is able to do with this character, who fights for balance as the world shifts around him, is hint at redemption while being tethered to his troubled past. Watching Tate's facial expressions as he searches for clues about his brother and struggles with how that affects his reality is watching a true artist at work. It should come as no surprise that Bythewood could bring it at this level with a story that is as complex, nuanced, and intense as Gun Hill. He cut his teeth on writing for the sitcom A Different World where he met his beautiful and equally talented wife. That's right, Mr. Bythewood is only part of the equation. Gina Price-
Bythewood is also killing the game. She launched with a blast writing and directing the instant classic Love & Basketball that features Sanaa Lathan and Omar Epps, two charismatic stars that literally burnt up the screen. Her next project, Beyond the Lights, which opens November 15, aims to raise the bar. The trailer teases a classic love story filled with passion and promise. It stars the handsome Nate Parker who has been dancing around super stardom for years but now is ready to bust and the classically trained and stunning Gugu Mbatha-Raw. In this latest interview, Mr. Bythewood discusses these projects and using a platform for a cause bigger than himself. He also talks about controlling distribution, the meaning behind how theater can change the world, and Larenz Tate's use of the 52 Blocks fighting style. Please give it a listen because one way or another you will be hearing a lot more from Mr. Bythewood in the near future.
Reggie's Interview on Sound Cloud: Link
Gun Hill Trailer: Link
Larenz training 52 Blocks: Link
Beyond The Lights Trailer: Link
Reggie's IMDB Profile: Link
Gina's IMDB Profile: Link
Larenz's IMDB Profile: Link
Thursday, August 14, 2014
Interview with Yolonda Brinkley, Creator of Beyond Borders:Diversity in Cannes
Yolonda Brinkley is making waves. As the creator of Beyond Borders:Diversity in Cannes, a filmmmaker symposium and short film showcase taking place during the Cannes Film Festival, Yolonda is determined to enhance the visibility and opportunities of diverse projects in filming. Once a French Teacher for Teach for America, before working in corporate america, Yolonda is now a change agent in the entertainment industry. The journey has not always been easy for Yolonda but her faith has never wavered. From her humbling experience on the film The Last Fall to doing PR for Hollywood stalwart Bill Duke, Yolonda takes everything in stride. Along the way Yolonda has cultivated relationships with an eclectic and resourceful group of individuals such as Doreen Spicer, Karimah Westbrook, and Janine Sherman Barrois to name a few. But Yolonda's eyes are on the prize and she envisions working with industry trendsetters and multimedia icons like Ice Cube, Rashaad and Reinaldo Green, Lee Daniels, and Lisa Cortes. You want to know who got next? Keep your eyes on Yolonda Brinkley.
Voice Interview: Link
Diversity in Cannes Twitter: Link
Diversity in Cannes Website: Link
Diversity in Cannes Facebook: Link
Diversity in Cannes YouTube: Link
Yolonda's Reel: Link
Monday, August 11, 2014
Interview with Eric Dean Seaton Creator and Director of Legend Of The Mantamji
Comic book fans have never had it so good. Guardians Of The Galaxy is tearing it up at the box office. Netflix is developing Marvel street level heroes series such as Luke Cage and Daredevil. Agents of SHIELD has been renewed (or gotten a reprieve). Green Arrow's success has led to the launch of the eagerly anticipated Flash series. In short, grab your popcorn because this should be nerd nirvana. But all that glitters isn't gold. There has been a shocking lack of diversity in all these endeavors sans Luke Cage. And it starts at the comic book level. All the above are owned properties of DC or Marvel and all started out in print form. But what about us? What about properties and heroes that look like us? Enter Eric Dean Seaton. An episodic director who has helmed over 34 shows, Mr. Seaton is launching a graphic novel titled Legend Of The Mantamaji. This diverse graphic novel is centered around a person of color who must overcome internal issues before he can take on an ancient evil. You want to start seeing heroes like us on the big screen? It starts with supporting the work and talent of people like Eric Dean Seaton at the print level. In the following interview, Mr. Seaton discusses his motivation for starting a graphic novel and how that compares to directing TV along with a host of other topics. Please give it a listen.
Voice Interview: Link
Twitter Account: Link
Website: Link
Legend of Mantamaji Website: Link
For Pre-Orders Amazon Link: Link
Voice Interview: Link
Twitter Account: Link
Website: Link
Legend of Mantamaji Website: Link
For Pre-Orders Amazon Link: Link
Monday, August 4, 2014
My Favorite Movies You never heard Of
On Aug 2nd BET aired the Independently produced film Middle Of Nowhere and I was able to experience my favorite film of 2012 again with a bunch of my twitter peeps. To me, the next best thing about enjoying a film or book is sharing that enjoyment with others whether it be online or in person. Unfortunately, this film was not widely released leaving me few opportunities to dialogue with others about how truly great this film is which in and of itself is troubling. Diversity in films benefits everyone. Diversity challenges viewers through unique POV's forcing them out their comfort zone. Diversity lets people appreciate characters and situations they never knew existed and in the process expands their world. And those of you who support the campaign #WeNeedMoreDiverse books please support organizations that are striving for diversity in films. Organizations like Diversity in Cannes that empowers film makers to thing outside the box. AFFRM which strives to put black-themed films in commercial theaters. And Reelsisters which celebrates women of color in film. You can also tweet and share your favorite diverse films that were not widely distributed. Three of my favorites might be unknowns to most people. These three films are remarkable in casting, cinematography, and POV. If you already have seen them please share your thoughts or reply back with some of your favs. If not, do yourself the favor of getting familiar with these films, the actors, and directors because that is the first step in supporting diversified films.
Secrets and Lies
The characters in this tense melodrama are painfully real and deal with complex issues in a way that lends credence to their humanity and frailty. The skill with which these beautifully flawed characters are handled draws you in, engages you. This film was also my first introduction to the magnificent Marie Jean Baptist and the under appreciated Timothy Spall of Harry Potter fame. And what makes this film even more impressive is that the majority of it was improvisational. A must see.
City Of God
If you are born in America no matter how disparate the conditions, you have a chance, a shot to better your life no matter how daunting the odds. This fact was crystallized after watching The City Of God. Loosely based on real events the environment of hopelessness, violence and depravity is the primary protagonist as the bit characters fight for turf, drugs, guns and one for his creative soul. This stunning film also introduced the world to the beautiful Alice Braga. I have never been more appreciative of the life I have and the opportunities provided me than after watching this film. But you be the judge.
I Will Follow
Had to watch this film twice to appreciate it. And I think my biggest issue was viewing Omari Hardwick and Salli Richardson as the talented individuals they are and not as the eye candy the are often promoted as. But more than anything else this is a film of loss, of relationships, and of moving forward. And as I watched it the 2nd and 3rd time I became even more appreciative of their nuanced performances, like the subtlety of the briefest facial expression. Also, there was no wasted dialogue in this film. No throw away lines. Every uttered word had meaning be it a past hurt, a current challenge, or the promise of tomorrow. Don't know how I stumbled upon it but I'm glad I did and I'm happy to share it with you.
Secrets and Lies
The characters in this tense melodrama are painfully real and deal with complex issues in a way that lends credence to their humanity and frailty. The skill with which these beautifully flawed characters are handled draws you in, engages you. This film was also my first introduction to the magnificent Marie Jean Baptist and the under appreciated Timothy Spall of Harry Potter fame. And what makes this film even more impressive is that the majority of it was improvisational. A must see.
City Of God
If you are born in America no matter how disparate the conditions, you have a chance, a shot to better your life no matter how daunting the odds. This fact was crystallized after watching The City Of God. Loosely based on real events the environment of hopelessness, violence and depravity is the primary protagonist as the bit characters fight for turf, drugs, guns and one for his creative soul. This stunning film also introduced the world to the beautiful Alice Braga. I have never been more appreciative of the life I have and the opportunities provided me than after watching this film. But you be the judge.
I Will Follow
Had to watch this film twice to appreciate it. And I think my biggest issue was viewing Omari Hardwick and Salli Richardson as the talented individuals they are and not as the eye candy the are often promoted as. But more than anything else this is a film of loss, of relationships, and of moving forward. And as I watched it the 2nd and 3rd time I became even more appreciative of their nuanced performances, like the subtlety of the briefest facial expression. Also, there was no wasted dialogue in this film. No throw away lines. Every uttered word had meaning be it a past hurt, a current challenge, or the promise of tomorrow. Don't know how I stumbled upon it but I'm glad I did and I'm happy to share it with you.
Tuesday, July 29, 2014
The Type of Women I like
Let's cut to the chase, a post centered on "The Type Of Women I Like" is inherently sexist. To categorize, objectify, and compare women as if they were cars says more about the individuals doing the categorization then the women they seek to objectify. But stay with me for a minute and let me share something with you. The other day my daughters had a tennis tournament and before I hustled them into the car I asked one of them why she was wearing her hair like she was. Her hair could best be described as twists with a rubber band placed asymmetrically on one side. She confidently stated, "Because I like it." For some reason that caught me off guard. I shrugged it off but as I drove to the tennis courts I kept thinking about what she said. "Because I like it." And I couldn't stop smiling. What my daughter thought about her hair was immeasurably more important than what I thought about it. And as I watched her compete throughout the day her hairstyle grew on me. I now "liked" it. But I "liked" her attitude more. She didn't need me, her sisters, or anyone else to co-sign on something that she was already convinced of. She was not going to let someone dictate to her what was acceptable or beautiful and what wasn't. And as a parent I could not have been more proud. And I thought of women who I think are beautiful and their individual styles. Julianne Margulies whose controlled passion and quite confidence on The Good Wife is alluring. Jill Scott whose self pride and ebullient personality is infectious. Christina Hendricks who flaunts her body and attitude with a SWAG that is admirable. Serena Williams who is built like an Amazon Warrior and has a competitive fire that has inspired a generation of girls and women. The regal and incomparable beauty of Lupita Nyong'o that is breathtaking. And you know what is especially enticing about these women? They all have displayed an independence, a self-love, and a willingness to challenge long held beliefs of beauty that make them even more attractive. Also these women couldn't give two shakes about "The Type Of Women I Like", and you shouldn't either...
Thursday, July 24, 2014
Interview with Independent Filmmaker Dan Mirvish
Dan Mirvish is a man of many talents. He is a director, screenwriter, producer, political speech writer, and some would say political provocateur. His most recent film Between Us starring Julia Stiles and Taye Diggs, played in 23 festivals in 7 countries and got 50+ city theatrical release and is currently available on Showtime, Starz, and Netflix. In this humorous interview Dan discusses the challenges of shooting independent films, the inspiration for Slamdance, the nuances of sound editing, and the motivation for creating Martin Eisenstadt among other topics. Please give it a listen.
Voice Interview - Link
IMDB - Link
Martin Eisenstadt book - Link
Martin Eisenstadt youtube - Link
Martin Eisenstadt twitter - https://twitter.com/MartyEisenstadt
Voice Interview - Link
His website - http://danmirvish.com/
His Twitter - https://twitter.com/DanMirvish
His Facebook - https://www.facebook.com/dmirvish?fref=ts
His youtube - https://www.youtube.com/user/DanMirvish
Latest Movie - Between Us
NY Times article - LinkIMDB - Link
Martin Eisenstadt book - Link
Martin Eisenstadt youtube - Link
Martin Eisenstadt twitter - https://twitter.com/MartyEisenstadt
Wednesday, July 23, 2014
Are Blerds Black Enough?
I remember a discussion I had awhile back with my co-workers. I was the only person of color involved in the discussion and at one point one of my co-workers looked at me and said "But you are not really black though." He said it as a back-handed compliment but everyone else including me froze. I let him know I wasn't happy with nor did I appreciate the comment. He apologized profusely and stated he didn't mean anything by it. But I knew intimately what he meant. I was not authentic. I wasn't really black or black enough. And it wasn't the first time I heard it. I grew up in a poor neighborhood and had always been bookish which was not a recipe for being cool or popular. On more than a few occasions I had been accused of trying to be white sometimes jokingly sometimes not just for reading books. My two closest friends growing up wanted to be football players and both did end up playing football in college. In a culture where athleticism is at times more valued than academics they were infinitely more cooler and popular than me. I didn't start getting props until I started boxing and wrestling in middle-school. I was above average at boxing but I excelled at wrestling. And now I had an identity that was separate and at odds with my bookish or nerdy identity. I was an athlete and more specific I was a wrestler. Wrestling and boxing are physically demanding sports and anyone who competes in them must be tough so by definition I couldn't be a nerd right? I struggled with this as I searched for a tag or identity that defined me completely. Something that said yes I'm black, and I'm smart, and athletic, and I love books. But there were no labels that I was aware of that encapsulated all of that. So I became different things to different people at different times. Sometimes a nerd, sometimes an oreo, sometimes an academic, sometimes a jock. And despite my new found popularity due to my athletic achievements I was still teased at times which led to some fighting. I equipped my self fairly well in these fights (I had a quick right hand and a strong wrestling pedigree) but it bothered me that some of my peers still doubted my authenticity. That by some mythical cultural barometer of blackness I was less in their eyes. Now no-one escapes childhood with out some trauma and I don't want to paint the picture that I was a social outcast who struggled to connect. I was far from that. I was popular with a diverse group of friends and gave as good as I got in the teasing department. But I still struggled with my racial identity and wondered if I really was less black. It took me a few years before I realized, I could be smart, bookish, nerdy, popular, athletic and it did not take away from my blackness. I defined my identity. Those phony arbitrators defining blackness had no more license to do so then my grade school peers. I could be nerdy, or rather blerdy and proud without sacrificing one iota of my cultural identity or racial pride. I still feel the same way today. And if anyone wants to challenge my authenticity or question if I'm black enough I still have a quick right hand.
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